A hidden gem of rural folk-rock psychedelia from North Carolina. The unpretentious, countrish playing and sorrowful melodies are undeniably captivating. Recommended for fans of Jimmy Carter & Dallas Country Green. There is a small but rather remarkable tear in the top right corner of the cover. The cover is a bit tatty overall, but the record is in excellent condition.
The ambitious work of the Osanna offshoot. The cover is the best I've seen in the last 10 years, with minimal sing of the storage, and the gimmick door is perfectly intact. It comes with an inner that has a few stains for ages, tiny rips, and staple marks, but it is neat without splits or tears. The record has some shallow surface lines but plays beautifully without affecting the sound!
Tremendous French heavy psych monster features massive fuzz madness in Jimi Hendrix influences. Both the cover and the record are in excellent condition for this item! The cover has some creasing, but it is well cared for. The record displays light, inaudible marks and surface scuffs, but plays almost flawlessly throughout!
The extremely rare solo album by Alex Chilton, the main figure of Big Star. You will be taken aback by its highly unusual, nihilistic, and unrestrained garage punk sound. This is the elusive original pressing from Peabody, US. A beautiful example, you would expect!
Bottom seam about 4.5cm split from the opening edge; otherwise, the cover is still in shrink and in exceptional condition. The record has a small bruise mark on the last track of side two that absolutely does nothing. Other than that, there are a few inaudible superficial marks visible only under bright light, and it plays smoothly all the way through.
Ultimately weird DIY high school project in New York. It contains primitive folk, an innocent girls' garage, and mysterious poetry readings. Still, to say the least, the highlights are concentrated in the avant-garde track with plenty of effects and tapes, and another odd instrumental track with out-of-tune fuzz and overheated organs.
This split album features two groups, Lightyears Away (based on A-Austr) and Thundermother (ex-members of Little Free Rock and Rare Bird). It is positioned as a true sequel to Astral Navigations, whose fans will undoubtedly want to give it a spin. Although it was recorded in 1971, the same year as Astral Navigations, it remained unreleased for some time, with its official release occurring in the 1990s alongside the reissue of Astral Navigations. A lavish booklet accompanies the album.
This is an orange-label version that comes with a plain white cover. It's the ultimate DIY style album, with some releases having cover art added on whimsically, and others released in their original plain white covers. A pinnacle of real people's weirdness.
Unusual black & white drawing cover art reminds us of another lone acid folk private. But, he doesn't belong with those characters. This one is actually pretty good DIY melodic psych folk, with proto powerpop elements here and there. It would be highly recommended if you dig up similar styles by Jon Tabakin, John Scoggins, and Eddie Callahan!
Composer, saxophonist, and keyboardist Thomas Crawford launched his label in Maryland and released the album Crawford, a jazz-flavored soft rock album featuring male and female vocals that occasionally shows proto AOR moves. Afterward, Thomas Crawford significantly replaced the members and changed the band name to Thesda in 1979, releasing one album that is now a holy grail of rare groove and jazz funk.
Debut album of an American female folk cult figure. There are minor stains and creases on the cover, but they are hardly remarkable. It doesnft have a usual cut-out, which is rare for this title. The record displays a few surface marks that were caused by inner, which do not affect playback.
Despite being even less commonly found than Churchill, this record is still sought after and is the second-rarest record in the Middle East. Influenced by Zappa and Beefheart, as well as inspirations from Amon Duul and even Mario Schifano, it incorporates avant-garde and innovative sounds from across the globe, showcasing the most avant-garde psych acid rock in history. The gatefold cover has a light brown stain at the bottom, and there is some lamination peeling and paper fraying. However, considering its rarity, it is fortunate that the cover has survived in such condition. And, the record plays strongly with occasional minor ticks and pops.
Terrific Italian prog and jazz rock with some elements from Canterbury school. A great album without complaint. The gatefold cover has corner wear and a seam split, but remains presentable. Has a usual Peters International sticker on the rear cover.
Very flimsy unipak cover has some restoration spots with a black felt-tip, but not too remarkable. The upper spine and lower have fraying and tearing, but overall it still looks OK despite the fragile nature of material. The record has some light marks that barely affect playback. Plays throughout mostly fine without noticeable crackles.
This is a rather obscure outfit out of Illinois, not to be confused with another Demian from Texas. A conceptual album that is an uncommon mix of heavy acid rock and symphonic elements, with a bit of theatrical singing, which reminds me of VDGG, which is a rare case in the States. Still sealed, although the shrink is torn on the bottom left, and there is some wrinkling.
This is a US original stereo Pitman pressing on tan labels. There is minor wear to the corner, but overall, the cover is still presentable. The record plays with a little crackling on A-3, but for the most part, it plays gorgeous. The inner sleeve has a few wrinkles, but it is still sturdy.
Soft rock with male and female vocals in the style of CCM. The album surprisingly has a strong prog influence, with a fairly generous use of Mellotron, crisp rhythm changes, and sharp guitar work. It also shares similarities with Texas Christian prog band Millennium (with its hourglass cover) and British band Narnia, so this is a great choice for fans of those records.
Their second release on the Vertigo Swirl label, famous for its special gimmick cover that requires careful storage. This is not Mint, but a very nice example for sure, with a few inevitable rubbings from the storage. One of the flaps, which is also the tail part of the deformed part, has a few folds near the bottom, but they are not very noticeable. These are the defects I found when I looked closely, but the front exterior is very clean with no noticeable imperfections at all. The record also has some light marks from the inner bag, but it looks and plays well. Comes with a Swirl inner. It's a rare opportunity to find one in such good condition, so don't miss it.
This is an unfortunate German heavy prog rock outfit that has been known for a long time but has rarely received the proper review. There are no overwhelming jams like Orange Peel, no majestic structures or passages like 2066, and no fast-paced aggressive actions like Night Sun. However, with its strange heaviness, the inapposite church organ, the awkward sound productions that may or may not have been intentional, and the non-smooth vocals that don't feel the slightest bit smart, it unfolds a drug-influenced psychedelic music by accident. Although the tendencies are different, anyone who likes Supermull should be able to dig it.